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Golden Globe Nominees: Here Comes the Award Season

Posted by goldwriting on December 14, 2008

56005361PR001_globeWould it be possible to get mine in something a little more lighthearted? Possibly periwinkle or neon?

Although numerous critics around the country have already had their own awards ceremonies and passed out a handful of gold plated statuettes, there are only two awards which really catch the eye of the mass populace: the Golden Globes and the Oscars. Most people feel a Golden Globe win for a particular movie is a safe bet for the Oscar, but since the categories are surprisingly different between the two shows, there is not always a direct overlap. Some of the nominees listed below are surprising and some are exactly what we expected to see, but let’s scroll through and I’ll let you in on where I think things might go (and also where I think they deserve to go, which can be completely at odds with each other). I won’t go through the TV nominations because I only watch a handful of shows, but I think we will see the usual suspects on stage that night: 30 Rock, The Office, House M.D. and anything HBO decided to make this year.

[The * denotes which movies I have actually seen]


· The Curious Case of Benjamin Button

· Frost/Nixon *

· The Reader *

· Revolutionary Road (Most Likely Winner)

· Slumdog Millionaire * (Deserves to Win) WINNER

So far I have seen three of these movies (Benjamin Button and Revolutionary Road still to come), but Slumdog Millionaire is starting to look like the dark horse rearing up from behind. It has already won a couple of Best Picture Awards, which gives it a nice momentum, but in the Hollywood circles, Benjamin Button and Frost/Nixon seem to be the ones to beat. The surprise here is Milk and The Dark Knight being stepped over. I would credit Slumdog for knocking one of them out, but to see both without a Best Picture nod here doesn’t bode well for Oscar season. Personally, I think The Dark Knight still has a good chance, but Milk I believe will fall by the wayside in lieu of better films this year. Back to the Globes, from the ones I have seen, Slumdog deserves the win.


· Burn After Reading *

· Happy-go-lucky

· In Bruges * (Deserves to Win)

· Mamma Mia * (Most Likely Winner)

· Vicky Cristina Barcelona * WINNER

Now this has always been a little bit of a sticking point for the Golden Globes. Do we really need the separation of Drama and Comedy/Musical? Couldn’t they follow along with the Oscars and just crown one movie Best Picture of the Year? I know the argument against is the Oscars don’t reward comedies nearly enough, and that part is true. The Academy should learn to step down from their weepy, heartwrecnhing high horse and celebrate films that make us laugh, even if it’s from a well-timed fart joke. But in the end, I think it is still worthwhile to be able to group and contrast all movies together and crown one a victor for the year. Anyway, onto the category at hand, the happy surprise here is In Bruges, which didn’t pull in major box office, but was widely lauded by the critics. I saw a screening of it early on and was blown away by how funny, irreverent and tight the script was, along with being impressed with the performances across the board from Colin Farrell, Brendan Gleeson and Ralph Fiennes. So, kudos to them and the team from In Bruges for a well-deserved nomination. Now cut that celebratory emotion out when we come to Burn After Reading, which is far from being the best we’ve seen from the Coen brothers. This was a quirky character piece, enjoyable in particular sections, but nowhere near awards potential. This nomination alone helps to prove the case for not separating the genres, because films like this slip onto the ballot. Woody Allen can be happy to get a nod once again, but I foresee him going home empty-handed that night. I haven’t seen Happy-Go-Lucky, but never take your eyes off the British when it comes to heartwarming comedies, they’ll sneak up on you. The real front runner here is Mamma Mia, which sparked a worldwide phenomenon and single-handedly helped Universal Pictures weather the current economic strain. At last count, it brought in an incredible $570 million dollars worldwide. People love their Abba evidently. I would love to see In Bruges take the crown, but I think Mamma Mia will be the one dancing on stage that night.


· Danny Boyle, Slumdog Millionaire * (Deserves to Win) WINNER

· Stephen Daldry, The Reader *

· David Fincher, The Curious Case of Benjamin Button

· Ron Howard, Frost/Nixon *

· Sam Mendes, Revolutionary Road (Most Likely Winner)

I always find it hard to differentiate between Best Picture and Best Director. If you have the Best Picture of the Year, most of the time that should indicate you’ve done the best job in Directing. It’s no surprise that we see the exact same movies here as we do in the Best Picture – Drama category. So for the moment, until I see the last two of these movies, I’m sticking with Danny Boyle and Slumdog for most deserving. As for who will actually take it, Mendes could split up the pack, but Howard and Fincher are the front runners.


· Leonardo DiCaprio, Revolutionary Road

· Frank Langella, Frost/Nixon *

· Sean Penn, Milk *

· Brad Pitt, The Curious Case of Benjamin Button

· Mickey Rourke, The Wrestler (Most Likely Winner, possibly most deserving as well) WINNER

Sean Penn was the best thing going in Milk, so this is well deserved for him, but the critical buzz and momentum behind Mickey Rourke could make this the year of the grizzled warrior. I’ve yet to see The Wrestler, but his performance is said to be a career topper. Brad Pitt hasn’t been able to clinch a victory since his Best Supporting Golden Globe for 12 Monkeys. That’s not saying he hasn’t done good work since then, since he’s almost always in the race, but someone always sneaks by and pulls the golden statues from his grasp. Frank Langella won heaps of praise for his role in Frost/Nixon on stage as well as on screen, but it won’t be enough to overcome the rawness and sheer intensity of Penn or Rourke. That leaves DiCaprio, who may very well be amazing in the role, but I have caught it yet and I can’t tell whether this will be a disappointing or deserved loss for him.


· Anne Hathaway, Rachel Getting Married * (Deserves to Win)

· Angelina Jolie, Changeling * (Most Likely Winner)

· Meryl Streep, Doubt

· Kristin Scott Thomas, I’ve Loved You So Long

· Kate Winslet, Revolutionary Road WINNER

Anyone who knows me is well aware of my affinity for Anne Hathaway, but that aside, she does deserve all the accolades being heaped on her for her turn in Rachel Getting Married. It was a serious departure for her from her normal fare and served to prove once again the range and power she can handle. The closest behind her is Kate Winslet, who supposedly got this role pushed up for Best Actress instead of her performance in The Reader because the studio believes she has a better chance with this film. As you’ll read further down, this might work against her. Now Angelina found time in her efforts to become a living saint to churn out another nominated performance, but honestly this feels a little like “starf*#king”. She is an incredibly talented actress, but Changeling was really only one emotion for her the whole way through and felt a little draining by the time it was done. As for Meryl, Doubt is still to come on my list of things to see, but hopefully I’ll be able to separate my appreciation for her acting away from my deep-seeded loathing of religious zealotry. She’s going to have to fight hard to make that happen. Lastly, Kristen is a strong actress, so she could slip in with this small indie film, but it’s slipped past me as well, so they’ll have to make a strong push to the voters to make sure they’ve caught it and remembered it in the big ole’ mix.


· Rebecca Hall, Vicky Cristina Barcelona * (Deserves to Win)

· Sally Hawkins, Happy-go-lucky WINNER

· Frances McDormand, Burn After Reading *

· Meryl Streep, Mamma Mia *

· Emma Thompson, Last Chance Harvey

It’s hard to say who will win this. It’s a category filled with highly talented people, but out of the three performances I have witnessed, I’m putting my vote towards Rebecca Hall. She was able to overcome the sheer fact of being the main character in a Woody Allen film that barely got any billing on the posters because she was surrounded by A-List names, two of which were also nominated, and still managed to steal almost every scene she was in. There was an honesty in her which eclipsed the supporting players and truly made her stand out. Meryl deserves her share of credit for lending her voice and her talent to such an unlikely phenomenon, but it looked like it was more sheer fun than talent which brought this movie to the list. As for Frances McDormand, once again I can only say I don’t feel Burn After Reading deserves to be on the list at all. She was funny at moments, but this was not an award-winning role for her and barely seems to qualify as a lead actress piece. To Emma and Sally, I have heard good things on both fronts, but they are tougher movies to track down showtimes for.


· Javier Bardem, Vicky Cristina Barcelona * (Most Likely Winner)

· Colin Farrell, In Bruges * (Deserves to Win) WINNER

· James Franco, Pineapple Express *

· Brendan Gleeseon, In Bruges *

· Dustin Hoffman, Last Chance Harvey

Javier is still riding the wave of love from the Academy last year and the praise for No Country for Old Men, so some of that will surely bleed over into this year. I’m not saying he wasn’t good in this film, but I think this will give him the little edge he needs to separate himself from the pack. Colin, on the other hand, has not had the best relationship with the award audiences or the Hollywood scene in total, but he really let himself dive into In Bruges and it really showed. Whether you like him or not as a person, you just can’t help laugh with/at him in this hilarious movie. Appearing all over the place in the last few years, James Franco scored a nomination for playing an incredibly realistic pot dealer and stoner extraordinaire, but once again I am surprised that the committees felt this was a truly worthy performance, especially with his role in Milk being overshadowed. Brendon Gleesn is equally good in In Bruges, but Colin just happens to be playing the more important and charged role, so he steals a touch more of the focus from the audience. If you follow Hollywood at all, you can never count out Dustin Hoffman in a race like this. He could do a five minute cameo as a salesman for Japanese tea and you could guarantee a Independent Spirit Award would be engraved and waiting for him.


· Amy Adams, Doubt

· Penelope Cruz, Vicky Cristina Barecelona *

· Viola Davis, Doubt

· Marisa Tomei, The Wrestler

· Kate Winslet, The Reader * (Deseves to Win, also Most Likely Winner) WINNER

This is a sparse category for me right now, with only two movies actually seen, but I think Kate will take this one home. Splitting the voters can sometimes work against you if you are going for both Best Actress and Best Supporting in the same year. Unless the Best Actress category is weak, the voters will most of the time give the conciliation gift of Best Supporting and pass the Best Actress onto someone else, which will benefit Anne and Angelina. I’ve heard good things about Marisa and her role in The Wrestler, but that could also be her getting swept up in the hype over Mickey Rourke. Doubt truly looks to be a heavy movie in terms of performances, so I’m sure both Viola and Amy are worthy nominations, but I’ll know more once I get a chance to view them.


· Tom Cruise, Tropic Thunder *

· Robert Downey Jr., Tropic Thunder *

· Ralph Fiennes, The Duchess

· Philip Seymour Hoffman, Doubt

· Heath Ledger, The Dark Knight * (Deserves to Win and Most Likely Winner) WINNER

This should be a fairly obvious category. Heath was entrancing as The Joker in The Dark Knight and his tragic demise only makes the story more poetic. Right now the only real question is who the studio will send up on stage to accept the award on his behalf (I think it should be Bale or Nolan). Even though the hype machine has built this up to epic proportions, Heath really does deserve the accolades. Robert Downey Jr. bit off more than anyone else could chew by doing modern day blackface in Tropic Thunder, but he pulled it off brilliantly and I’m thrilled he got the nomination. The same goes for Tom Cruise, who basically relaunched his career in the public’s heart with a hilarious turn as a meglomaniacal studio exec. As for Hoffman and Fiennes, both are extremely talented actors and I’m sure they do great jobs in their respective films, but this year belongs to Heath. No joke.


· The Baader Meinhof Complex (Germany)

· Everlasting Moments (Sweden/Denmark)

· Gomorrah (Italy)

· I’ve Loved You So Long (France)

· Waltz With Bashir (Israel) (Total guess, just so I have a choice noted) WINNER

Unfortunately I haven’t seen any of these, but the ones getting the most buzz are I’ve Loved You So Long and Waltz With Bashir. Bashir is also a crazy animated film, which could work against it in terms of voters thinking it is represented in the wrong category, or it could help differentiate itself from the pack and grab some swing votes. For me, this is totally up in the air.


· Bolt *

· Kung Fu Panda *

· Wall-E * (Deserves to Win and Most Likely Winner) WINNER

Wall-E is a lock here and if something else goes down the Hollywood Foreign Press will never mean a damn thing to me again. The little story of “the robot who could” has already been winning awards, but not for Best Animated Feature, it’s been taking the top prize as Best Picture of the Year in a handful of critics associations. Kung-Fu Panda was very well done and worthy of nomination, but I can’t say I felt the same about Bolt. Bolt was cute, but didn’t give me the impression of a stand-out animated film. I still don’t understand why there are only three chosen for this category, since The Tale of Despereaux (still to be released) and Madagascar: Escape 2 Africa both garnered some critical acclaim. Nevertheless, Pixar has dominated once again and Wall-E will safely be able to store this award away with all his other trinkets.


· Simon Beaufoy, Slumdog Millionaire * (Deserves to Win) WINNER

· David Hare, The Reader *

· Peter Morgan, Frost/Nixon *

· Eric Roth, The Curious Case of Benjamin Button (Most Likely Winner)

· John Patrick Shanley, Doubt

This could actually go to anyone. Out of the three I have seen, I might lean towards Simon Beaufoy for Slumdog Millionaire, but the momentum of the movie could work against him if the voters decide they don’t want to create a “sweep” type of situation. Peter Morgan and David Hare both did excellent jobs bringing history to the masses and making it intriguing. Critics are already saying great things on both fronts for Doubt and Benjamin Button, so they certainly cannot be counted out. I’d truly be happy anywhere the ball drops in this one.


· Alexandre Desplat, The Curious Case of Benjamin Button

· Clint Eastwood, Changeling *

· James Newton Howard, Defiance

· A.R. Rahman, Slumdog Millionaire * WINNER

· Hans Zimmer, Frost/Nixon * (Deserves to Win and Most Likely Winner)

Here you have three of the most cherished in the musical score business: Zimmer, Howard and Eastwood (who just has to prove he can do everything better than the rest of us 😉 ). I’m leaning towards Zimmer because his score did such a beautiful job of intensifying a story of two men in chairs sitting across from each other, but once again, I think this category is a toss up. In reality, they are all just lucky John Williams only worked on Indiana Jones and the Kingdom of the Crystal Skull, since no one really liked a damn thing about that travesty.

Best Original Song

– “Down To Earth” – Wall-E (Music By: Peter Gabriel and Thomas Newman, Lyrics By: Peter Gabriel)

– “Gran Torino” – Gran Torino (Music By: Clint Eastwood, Jamie Cullum, Kyle Eastwood and Michael Stevens, Lyrics By: Jamie Cullum)

– “I Thought I Lost You” – Bolt (Music & Lyrics By: Miley Cyrus and Jeffrey Steele)

– “Once In A Lifetime” – Cadillac Records (Music & Lyrics By: Beyoncé Knowles, Amanda Ghost, Scott McFarmon, Ian Dench, James Dring and Jody Street)

– “The Wrestler” – The Wrestler (Music & Lyrics By: Bruce Springsteen) (Total Guess, but I’ll say Most Likely to Win) WINNER

It was pointed out to me while finishing up this post that I had left out the Best Original Song category. Since it still falls under the film umbrella, I’ll take a stab at an opinion. Clint Eastwood shows off again by gaining a nomination in yet another category not familiar to most actors, but in here he’s going toe-to-toe with the pros of the trade. Wall-E brings Peter Gabriel to the table, while Bolt totes along tween megastar, Miley Cyrus. Both are big hitters, but Cadillac Records sticks out with Beyonce, who just got awarded with “#1 Single of the Year” by Rolling Stone Magazine for her insanely catchy track, “Single Ladies (Put a Ring On It)”. Yet, when it comes to truly moving an audience, few people can do it better than all-American music legend Bruce Springsteen. I’m feeling he could pull this out the same way he did with “Streets of Philadelphia” from the movie Philadelphia. It goes to show, don’t mess with The Boss.

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Tropic Thunder: Riders on the Storm of Absurdity

Posted by goldwriting on August 18, 2008

One of these things is not like the other, err..well, it is, but it’s not. (hint: one of them is British)

When the whole world is ranting and raving over the dark, brooding charisma of a vigilante crime fighter, where could we possibly turn to finally end the majestic run of the bat? Well, look no further than the most politically incorrect big-budget comedy in years. I guess five weeks of the gloom and doom of Batman finally did get us wondering, “Why so serious?”. Tropic Thunder rolled through the digital clouds this weekend and into theaters nationwide. It barely cleared the opening weekend take of recent R-rated comedic kin, Pineapple Express, but since Tropic Thunder was made for a ton more money people are wandering around claiming it was a letdown. Look, it took the #1 spot away from The Dark Knight, which had held it for five weeks, and claimed the spot for itself. No matter what amount of money it took in, this was still a success in its own right.

But let’s not focus on money, since it is the root of all evil (but I’ve been trained to handle it, so feel free to rid yourself of any and all unnecessary evil and send your spare money to me). The real success story for this film is the writing, the acting and the sheer brilliance of stupidity skipping and frolicking its way through the jungle. Jumping off the launching point with the fake trailers created for the fake actors in the movie, you already know you are in for something different, something that pushes the envelope of political and social commentary and satire. Tropic Thunder takes unabashed shots at Hollywood, not only for its reputation for prima-donna actors and bumbling directors, but also at its own tendency to turn any poignant social commentary into cannon fodder for the Oscar season. Critics want to brand the movie as insensitive to any number of groups, but what they refuse to see is the lambasting of Hollywood and its own culture as the root of the satire.

Intelligent writing will get your foot in the door, but it’s the actors who are going to have to walk through it. Performances from left to right were all above par and some were down right sensational. Robert Downey Jr. got a helping hand from the instant buzz created the moment people heard he was going to play his character in blackface, but once again the satire of the film keeps it from coming off as incredibly racist. Also lending a hand is Brandon T. Jackson, playing his rapper/actor crossover character Alpa Chino, who comically tries his hardest to correct the historic stereotypes Downey uses to embody his African American roots. Dropped into the lap of a less dedicated actor, the blackface would have completely failed and indeed come off as racist, but Downey confidently walks through the film totally unashamed, which allows the audience to feel unashamed at laughing at him. Ben Stiller, who also took the directing helm for this wartime parody, equally dove into the deep end of the pool with his action hero’s level of total obliviousness to the world around him. Feeling a little like the reverse of the situation in Hot Fuzz, where one man was sane and the entire town was mentally inept, Stiller provides a good deal of the less subtle humor. The only negative twitch I had here was the suspension of disbelief is stretched incredibly thin with Stiller. I could buy the totally out-of-touch actor persona, but once dropped in the legit war zone, it’s a little tough to buy Stiller continuing to live in his action film dream world. Jack Black comes through in the end of the film with his physical comedy king character, but he felt wildly underused for most of the film. Surprisingly, driving the plot and the story along was Jay Baruchel, who was the only mentally stable person in the entire film and he turned in a great performance.

Peeking around the corner of the frame, the cameos in the film are almost overwhelming. Steve Coogan, who should have had a much bigger role, was relegated to mere minutes of screen time, yet he made the most of them. Matthew McConaughey helps paint Hollywood agents in their bleakest light to date, while Bill Hader appears under the veil of the lowly studio-head assistant. Danny McBride, who is having the year of his life right now, steals scenes left and right as the pyrotechnics expert alongside Nick Nolte as the grizzled true life persona of Ben Stiller’s lead role. Saving the most notable cameo for last, Tom Cruise makes a triumphant return to the big screen as an overweight, unbelievably hairy, booty smackin’, cuss tossing Hollywood Studio exec. The hidden genius in this role is every moment he is talking smack about over-pampered actors and how they need to be treated, you know he’s poking fun at himself. Word on the street is Tom recently dropped out of his next action/spy thriller in turn for another comedy after hearing the positive buzz about his Tropic turn. If his career makes a dramatic upturn in the coming months, Tom honestly owes Ben Stiller a crisp million dollar check.

Topping off the whole experience is the great cinematography from John Toll and a wonderfully worked soundtrack, which brings the audience back to the time of epic war movies, but equally reminds us we are watching a send up of that very time period. I can’t say this is going to take in tons of money since the humor might be missed by people not familiar with the inner workings and insanity of the entertainment industry, but I hope there is enough kicks to the balls and fart jokes to keep the rest of the world happy.

Recommendation: It’s worth a look see. Save a couple bucks with the matinée ticket if you can, but check it out in the theater. The jungle, the explosions, the ridiculous trailers all work better in that environment.

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Smart Sleeping to Seacrest Soaring: A day in the life of…(5/9)

Posted by goldwriting on May 9, 2008

1 – I am fairly sure that if I have this pillow, I will finally fulfill my dream of becoming smarter while I sleep. Side effects might include dreaming only in binary code and an unhealthy addiction to fractal imagery. [via JoshSpear]

2 – The broadway collaboration of John Mellencamp and Stephen King, Ghost Brothers, has been postponed to give the show more time to get ready for it’s initial run in Atlanta. Not a bad idea since Stephen King hardly gets a fair shake when he tries to step outside of his horror writing genre. [via lilja’s library]

3 – Is there anything left to get Tom Cruise back on the top again? Well, the normal procedure at this point is to go back to what worked in the past, so now we have started hearing rumors of a possible Mission Impossible 4. Not necessarily a terrible idea, but I think there is going to have to be more changes in the public life of Mr. Cruise to get him back inside the good graces of the movie going public. First step, try not being crazy. Everything else will fall in line after that. [via Variety]

4 – Here’s a marketing strategy that is clearly a sign of the times. Chrysler is offering with the sale of their new cars a charge card you can use to buy gas for the next three years at the locked in price of $2.99. Chrysler will pay the difference between that and whatever the current pain at the pump is. If prices reach the inflated $5-$8 per gallon some people are fearing, this car company could rule the world. [via CNN]

5 – I can’t think of a time in my life when I have seen an actor so clearly begging for people to remember how good he used to be. Tom Cruise has launched his own personal website that includes a ten minute long montage of some of the greatest hits from his previous movies. I give credit where it’s due and the montage shows some amazing stuff, but since when does a multi-million dollar superstar actor have to put his demo-reel online for people to see again? A restart is needed for Cruise, but I don’t think this was the right move to make. [via The Superficial]

6 – Think you know every different couch gag they have done in the opening of The Simpsons? I seriously doubt it, well, unless you are the living version of the Comic Book Guy from the show, then maybe. Here’s your way to test it out with a video of every couch gag ever! [via Today’s Big Thing]

7 – Count how many seconds it takes you to figure out what is different about this Japanese massage chair. [via GorillaMask via Japanprobe]

8 – Something like this would make me not sleep all weekend long. [via Pandachute]

9 – Here is a really cool photographic experiment where people send in a shot of whatever they are doing at exactly 10:15am. Putting these photos together you can really start to feel an interconnected nature in our race, the fact that it is always 10:15am somewhere and we can embrace our similarities and celebrate our differences. Now all I need is a digital camera that I won’t lose after only a few months…[via JoshSpear]

10 – Could it really be true? Could Ryan Seacrest be finding a life beyond American Idol? The industry folks are gabbing about his possible nomination to take over Larry King’s show once they finally admit that Larry King has been dead for 14 years and get a new host. I swear I saw dust billowing out of his mouth during his last interview. [via Perez Hilton]

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Pious to Paperboy: A Day in the life of…(4/8)

Posted by goldwriting on April 8, 2008

1 – The two great things about this video are #1) The crazy homophobic racists from the Westboro Baptist Church are getting totally pwned and #2) It continues the amazing resurgence of Rick Astley. It’s time to Rik-Roll the nation!! [via PerezHilton]

2 – Now if these book jacket promos had actually been written on the books when I was in college, who knows the limits I could have reached? Or fallen under? Or heard about from other friends who actually read books? [via College Humor]

3 – Tom Cruise’s next film, Valkyrie, about the failed attempt to kill Hitler during his reign, has once again been moved back. Now it is set to release in Feb. 2009, which we all know is a total hotbed of Oscar contenders, box-office blockbusters and general quality cinema. I almost wish it would have come out this year so we could have witnessed the head-to-head battle with Never Back Down. Epic movie clash in the making. [via FilmDrunk]

4 – Every four years the world comes together under the rings of the Olympic banner, but usually it’s not to overwhelmingly protest the host country. Times they are a changin’. [via CNN]

5 – For those people who learn better by graphical charts, here’s the moral lessons from our favorite tunes: [via Erin]

6 – Ever wonder where some of those marketing deals come from in your favorite movies? Ever wonder why it’s one candy over another? Wonder no more, thanks to this informative piece from Mental Floss. Now you know, and knowing is…well, you know the rest. [via GorillaMask via Mental Floss]

7 – Whatever team this mascot is for, I am now a die-hard supporter. [via Pandachute]

8 – It’s always nice to see that at least one of the fictional families from TV didn’t turn out to harbor some crazy meth-addled, teddy bear serial killer, or that’s what we are led to believe in this update on the happenings of the gang from Family Ties. [via Starpulse]

9 – When I sit back and think what is more dangerous to the social fabric of a country, I certainly come to the logical conclusion that The Simpsons is far deadlier than Baywatch. This makes perfect sense. Yeah, right, maybe in some wacky communist country that would work…oh…what? It is a communist country? Oh, I guess it’s fine then. [via Perez Hilton]

10 – You ever wonder what it was like working as the kid from the video game Paperboy? Turns out he had a few issues with the people he met on his route. (Seriously, I’m in full agreement with him, that kid with the tricycle was a poltergeist or something). [via College Humor]

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